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×÷Õß¼ò½é£º°Â˹¿¨¡¤Íõ¶ûµÂ(Oscar Wilde, 1854-1900)£¬Ó¢¹úά¶àÀûÑÇʱ´úÖøÃû×÷¼Ò£¬¡°Î¨ÃÀÖ÷ÒåÔ˶¯¡±µÄÁì¾üÈËÎ³«µ¼¡°ÎªÒÕÊõ¶øÒÕÊõ¡±(Art for art's sake)¡£ËûµÄ´ú±í×÷ÓÐÏ·¾ç¡¶É¯ÀÖÃÀ¡·(Salome)¡¶ÈÏÕæµÄÖØÒªÐÔ¡·(The Importance of Being Earnest)£¬Í¯»°¡¶¿ìÀÖÍõ×Ó¡·(The Happy Prince) ¡¶Ò¹ÝºÓëõ¹å¡·(The Nightingale and the Rose)£¬Ð¡Ëµ¡¶µÀÁ¬¡¤¸ñÀ׵ĻÏñ¡·(The Picture of Dorian Gray)£¬ÒÔ¼°ÊéÐÅ¡¶×ÔÉîÉî´¦¡·(De Profundis)µÈ¡£
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Your silence has been horrible. Nor has it been a silence of weeks and months merely, but of years; of years even as they have to count them who, like yourself, live swiftly in happiness, and can hardly catch the gilt feet of the days as they dance by, and are out of breath in the chase after pleasure. It is a silence without excuse; a silence without palliation. I knew you had feet of clay. Who knew it better? When I wrote, among my aphorisms, that it was simply the feet of clay that made the gold of the image precious, it was of you I was thinking. But it is no gold image with clay feet that you have made of yourself. Out of the very dust of the common highway that the hooves of horned things pash into mire you have moulded your perfect semblance for me to look at, so that, whatever my secret desire might have been, it would be impossible for me now to have for you any feeling other than that of contempt and scorn, for myself my feeling other than that of contempt and scorn either. And setting aside all other reasons, your indifference, your worldly wisdom, your callousness, your prudence, whatever you may choose to call it, has been made doubly bitter to me by the peculiar circumstances that either accompanied or followed my fall.
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chase after material possessions ×·ÇóÎïÖʲƸ»
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The truth is quite other than what you think. ÕæÏàºÍÄãÏëµÄÍêÈ«²»Ò»Ñù¡£
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a worldly disposition Ëײ»¿ÉÄÍµÄÆ¢ÐÔ
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worldly-wise a.ÉÆÓÚ´¦ÊÀµÄ£¬ÀÏÓÚÊÀ¹ÊµÄ
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