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×÷Õß¼ò½é£º°Â˹¿¨¡¤Íõ¶ûµÂ(Oscar Wilde, 1854-1900)£¬Ó¢¹úά¶àÀûÑÇʱ´úÖøÃû×÷¼Ò£¬¡°Î¨ÃÀÖ÷ÒåÔ˶¯¡±µÄÁì¾üÈËÎ³«µ¼¡°ÎªÒÕÊõ¶øÒÕÊõ¡±(Art for art's sake)¡£ËûµÄ´ú±í×÷ÓÐÏ·¾ç¡¶É¯ÀÖÃÀ¡·(Salome)¡¶ÈÏÕæµÄÖØÒªÐÔ¡·(The Importance of Being Earnest)£¬Í¯»°¡¶¿ìÀÖÍõ×Ó¡·(The Happy Prince) ¡¶Ò¹ÝºÓëõ¹å¡·(The Nightingale and the Rose)£¬Ð¡Ëµ¡¶µÀÁ¬¡¤¸ñÀ׵ĻÏñ¡·(The Picture of Dorian Gray)£¬ÒÔ¼°ÊéÐÅ¡¶×ÔÉîÉî´¦¡·(De Profundis)µÈ¡£
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The poor thieves and outcasts who are imprisoned here with me are in many respects more fortunate than I am. The little way in grey city or green field that saw their sin is small: to find those who know nothing of what they have done they need go no further than a bird might fly between the twilight before dawn and dawn itself: but for me ¡°the world is shrivelled to a handsbreadth,¡± and everywhere I turn my name is written on the rocks in lead. For I have come, not from obscurity into the momentary notoriety of crime, but from a sort of eternity of fame to a sort of eternity of infamy, and sometimes seem to myself to have shown, if indeed it required showing, that between the famous and the infamous there is but one step, if so much as one.
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1¡¢shrivel v.ʹ¿Ýή£»Ê¹ÖåËõ
¡¾¾ÙÀý¡¿skin shrivelled by age ÒòÄêÀ϶ø¸É¿ÝÆðÖåµÄƤ·ô
The habitat of lions has shrivelled. ʨ×ӵįÜÏ¢µØ±äСÁË¡£
2¡¢obscurity n.ÎÞÃû£»Ä¬Ä¬ÎÞÎÅ£»»Þɬ£»»è°µ
¡¾¾ÙÀý¡¿rise from obscurity to international fame ´ÓĬĬÎÞÎŵ½ÔÚ¹ú¼ÊÉÏÒ»¾Ù³ÉÃû
The obscutiry of the paragraph makes several interpretations possible. Õâ¶ÎÎÄ×Ö¼«Îª»Þɬ£¬¿ÉÄÜÓжàÖÖ½âÊÍ¡£
hide in the obscurity of the thick bushes ¶ã²ØÔÚ¹àľ´ÔÉúµÄÒõ°µ´¦
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obscure a.ÎÞÃûµÄ£»Ä¬Ä¬ÎÞÎŵģ»»ÞɬµÄ£»Æ«Æ§µÄ£»»è°µµÄ
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¡¾¾ÙÀý¡¿There was a momentary pause. Í£¶ÙÁËÆ¬¿Ì¡£
Her hesitation was momentary. ËýµÄÓÌÔ¥ÊǶÌÔݵġ£
He lives in momentary fear of being exposed. Ëûʱ¿Ìº¦Å»ᱩ¶¡£
4¡¢infamy n.¶ñÃû£»ÉùÃûÀǽ壻¶ñÐУ»
¡¾¾ÙÀý¡¿hold sb. up to infamy ʹijÈËÉùÃûÀǽå
Traitors are held in infamy. ÅÑͽΪÈËËù²»³Ý¡£
reveal one's infamy ½Ò¶ijÈ˵ĶñÐÐ
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infamous a.ÉùÃûÀǽåµÄ£»Î޳ܵÄ
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