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The experienced Danish stonecutter 46-year-old Flemming Brian Nielsen is going to make sure that the famous Little Mermaid is seen off from her spot in Copenhagen and arrives safely at the Danish Pavilion in Shanghai. He has worked as a stonecutter for 30 years and during his career, he has created new sculptures for artists, renovated old ones and moved them from one spot to another.
Why were you selected to move the Little Mermaid?
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There is a very small market for this kind of business and, though it might sound pretentious, I am the most experienced in this field. It is impossible for me to keep track on how many statues and works of art I have moved but it must be several thousands.
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Have you worked with the Little Mermaid before?
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Not really, because she is made out of bronze and I work with stone. But I did remove some graffiti from her once in the early 80¡¯ies after she had been targeted by vandals (the statue has repeatedly been subjected to vandalism, as for example on 11 September 2003 when unknown perpetrators toppled her from her stone).
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How will you move her?
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First I will measure up exactly how she sits on her rock at Langelinie so that she is placed in the same way in the Danish Pavilion. I will separate her from the rock underneath her, and later she will be lifted away by a crane to be taken by plane to Shanghai. When she arrives, I will place her in the Harbour Pool inside the pavilion. I will bring my own tools to Shanghai to make sure that everything goes according to plan.
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She is a rather old lady from 1913. Is she fit to go on such a long journey?
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She is very fit. She is almost new compared to some of the older statues you can find in Copenhagen. You can also say that bronze sculptures like her, generally speaking, stay fit for a long time.
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Do you think the Little Mermaid will be safe during her journey and stay in Shanghai?
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I think she will be very safe. I don¡¯t think that anyone will try to steal the Little Mermaid because she is too famous. I mean, what would they do with her? No one would buy her knowing that it was the real Little Mermaid.
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You have had a long career as a stone cutter. Would you consider this one of your major challenges?
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I would not say that this is one of my most difficult assignments. The modern or postmodern sculptures are much more complicated to work on. But she is by far the most famous. I cannot recall any other statue that has such a great history as the Little Mermaid. She is an essential part of Denmark and when I meet Chinese people, they often don¡¯t know Denmark but they have all heard about the Mermaid, Hans Christian Andersen and Copenhagen.
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You will go to China to make sure that the Mermaid arrives safely, but you actually have a close connection with China. How is that?
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I started doing business in China eight years ago and now the basic work on many of my sculptures is done in China in Fujian Province. I give the Chinese workers a step-by-step manual on how to make the sculptures and then I come to China around five times a year to supervise the work.
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