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1891Ä꣬´¦ÔÚд×÷ÉúÑÄáÛ·åÆÚµÄÍõ¶ûµÂÓö¼ûÁ˰¢¶û¸¥À׵¡¤¡°²¨Î÷¡±¡¤µÀ¸ñÀ˹(Alfred "Bosie" Douglas)£¬Á½È˺ܿì³ÉΪÁËͬÐÔÁµÈË¡£ËÄÄêºó£¬ÒòΪÕâ¶Î¡°²»¸Ò˵³öÃû×ֵİ®¡±£¬Íõ¶ûµÂ±»ÅС°ÓÐÉ˷绯¡±×ï¶øÈëÓü¡£ÔÚÓüÖУ¬Íõ¶ûµÂ¿ªÊ¼·´Ë¼´ÓǰµÄÉú»î£¬Ë¼Ë÷Í´¿àºÍÈËÉúµÄÒâÒ壬ÒÕÊõºÍ°®µÄÕæÚУ¬×îÖÕ½«ÄÇЩʹ¿àµÄÀáË®¶¼»¯×÷ÓÅÃÀ¶øÉî³ÁµÄÎÄ×Ö£¬Ð´³ÉÁËÕâ·âÃûΪ"de profundis"(´ÓÉî´¦)µÄ³¤ÐÅ¡£
×÷Õß¼ò½é£º°Â˹¿¨¡¤Íõ¶ûµÂ(Oscar Wilde, 1854-1900)£¬Ó¢¹úά¶àÀûÑÇʱ´úÖøÃû×÷¼Ò£¬¡°Î¨ÃÀÖ÷ÒåÔ˶¯¡±µÄÁì¾üÈËÎ³«µ¼¡°ÎªÒÕÊõ¶øÒÕÊõ¡±(Art for art's sake)¡£ËûµÄ´ú±í×÷ÓÐÏ·¾ç¡¶É¯ÀÖÃÀ¡·(Salome)¡¶ÈÏÕæµÄÖØÒªÐÔ¡·(The Importance of Being Earnest)£¬Í¯»°¡¶¿ìÀÖÍõ×Ó¡·(The Happy Prince) ¡¶Ò¹ÝºÓëõ¹å¡·(The Nightingale and the Rose)£¬Ð¡Ëµ¡¶µÀÁ¬¡¤¸ñÀ׵ĻÏñ¡·(The Picture of Dorian Gray)£¬ÒÔ¼°ÊéÐÅ¡¶×ÔÉîÉî´¦¡·(De Profundis)µÈ¡£
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The gods had given me almost everything. I had genius, a distinguished name, high social position, brilliancy, intellectual daring: I made art a philosophy, and philosophy an art: I altered the minds of men and the colours of things: there was nothing I said or did that did not make people wonder: I took the drama, the most objective form known to art, and made it as personal a mode of expression as the lyric or the sonnet, at the same time that I widened its range and enriched its characterisation: drama, novel, poem in rhyme, poem in prose, subtle or fantastic dialogue, whatever I touched I made beautiful in a new mode of beauty: to truth itself I gave what is false no less than what is true as its rightful province, and showed that the false and the true are merely forms of intellectual existence. I treated Art as the supreme reality, and life as a mere mode of fiction: I awoke the imagination of my century so that it created myth and legend around me: I summed up all systems in a phrase, and all existence in an epigram.
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