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It¡¯s hard to believe, but sometimes things don¡¯t go Disney¡¯s way. Take last year, when Luxembourg and France¡¯s upstart Mr. Hublot took the Oscar for Best Animated Short Film, over Disney¡¯s miraculous Mickey Mouse comeback cartoon Get a Horse!, one of the most dazzling examples of 3D showmanship in memory.ÈËÃǺÜÄÑÏàÐÅ£¬µÏÊ¿ÄáÓÐʱºòÒ²»áÓÐʧËãµÄʱºò¡£±ÈÈçÈ¥Ä꣬¬ɱ¤Óë·¨¹úÁ½¹ú¹²Í¬´´ÔìµÄ±©·¢»§¹þ²¼ÂåÏÈÉú£¨¡¶¹þ²¼ÂåÏÈÉú¡·£©ÕªµÃÁ˰Â˹¿¨×î¼Ñ¶¯»¶ÌƬµÄ¹ð¹Ú£¬»÷°ÜÁ˵ÏÊ¿Äá³öÆ·µÄÃ×ÀÏÊó¸´³öÖ®×÷¡¶Âí¶ù¿ìÅÜ¡·£¬¾¡¹ÜÕⲿ×÷Æ·¾«²Ê¾øÂ×£¬¿°³Æ3D¶¯»¼¼ÊõÊ·ÉÏ×îÁîÈËßõßõ³ÆÔ޵ĵ䷶֮һ¡£
This year, it will be another injustice if Disney¡¯s Feast (paired on movie screens last fall with Big Hero 6) doesn¡¯t win the Oscar. It¡¯s the clear standout in a field that includes other shorts of merit, but nothing as delightful and crowd-pleasing. Conceptually, it¡¯s just about perfect: the story of a stray dog, the bachelor who adopts him, and the man¡¯s rocky romance, all told from the point of view of that irresistible canine and focused nearly exclusively on the food said canine eagerly devours. ½ñÄ꣬ Èç¹ûµÏÊ¿ÄáµÄ¡¶Ê¢Ñç¡·£¨ºÍ¡¶³¬Äܽս¶Ó¡·Ò»ÑùÊÇÔÚÈ¥ÄêÇïÌìÉÏÓ³£©²»ÄÜÓ®µÃ°Â˹¿¨½±£¬Äǽ«Êǵڶþ´Î¶ÔµÏÊ¿ÄáµÄ²»¹«¡£ËüÔÚͬÀàµÄ¶¯»¶ÌƬÖÐÍÑÓ±¶ø³ö£¬ËäÈ»ÆäËûµÄ¶¯»¶ÌƬҲºÜ¾«²Ê£¬È´²»¼°ËüÕâÑùÁîÈË»¶ÐÀ£¬ÊܹÛÖÚÇàíù¡£´Ó¸ÅÄîÉÏ˵£¬Ëü¿É˵½üºõÍêÃÀ£ºÕâ¸ö¹ÊÊÂÊǹØÓÚÒ»Ö»Á÷À˹·¡¢Ò»Î»ÊÕÑøÁËËüµÄÍÀ·ò£¬ÒÔ¼°ÍÀ·òÒ»²¨ÈýÕ۵İ®Çé¹ÊÊ£¬¹ÊÊÂÊÇ´ÓÄÇÖ»ÈÇÈËÁ¯°®µÄС¹·µÄ½Ç¶ÈÀ´½²ÊöµÄ£¬¼¸ºõÍêÈ«¼¯ÖÐÔÚС¹·÷Ò÷ÑÃÀ²ÍµÄ¾µÍ·ÉÏ¡£
In a brisk six minutes, Feast tells a funny and relatable story with masterful economy, and all within the restrictions noted above. Debuting director Patrick Osborne, who was head of animation on Disney¡¯s Oscar-winning (and equally romantic) Paperman, captures the behavior and movements of a dog with an observant deftness that will charm any canine lover, with just a soupçon of anthropomorphism. This instant classic is yet another sign that Disney Animation under John Lasseter¡¯s leadership has reached the same level of excellence as the fabled Pixar.ÔÚÕâ¶Î½Ú×à½ô´ÕµÄÁù·ÖÖÓÊÓÆµÀ¡¶Ê¢Ñç¡·Óôóʦ¼¶µÄ¼ô²Ã¼¼Çɽ²ÊöÁËÒ»¸ö·çȤÓÄĬÓÖÓëÿ¸öÈËϢϢÏà¹ØµÄ¹ÊÊ£¬¶øÇÒÆª·ùÑϸñÏÞÖÆÔÚÉÏÊöµÄʱ¼äÏÞÖÆÖ®ÄÚ¡£¸ÃƬµÄµ¼ÑÝ¡¢ÐÂÈñµ¼ÑÝÅÁÌØÀï¿Ë¡¤°Â˹±¾ÊǵÏÊ¿Äá³öÆ·µÄ°Â˹¿¨»ñ½±¶¯»Æ¬¡¶Ö½ÈË¡·ÖÆ×÷ÍŶÓÖеÄÖ÷Òª½ÇÉ«£¬ËûϸÖ¶øÊìÁ·µÄ²¶×½ÁËС¹·ÐÐΪ¶¯×÷µÄ½¿º©Ö®Ì¬£¬ÈÃËùÓа®È®ÈËʿΪ֮Çãµ¹£¬ÉõÖÁ´«´ï³ö¼¸·Ö×ÔÈ»ÍòÎïͬÐÎͬÐÔµÄζµÀ¡£ÕⲿÒÑÈ»õÒÉí¾µäµÄ×÷Æ·ÔÙ´ÎÖ¤Ã÷ÁË£¬ÔÚÔ¼º²¡¤À×Ë¹ÌØµÄÁ쵼ϣ¬µÏÊ¿ÄáµÄ¶¯»ÍŶӵĽܳö³Ì¶ÈÒÑÈ»¿ÉÒÔæÇÃÀÖøÃûµÄƤ¿Ë˹¶¯»¹«Ë¾¡£
Feast¡¯s closest competition in the Oscar race is the very inventive The Bigger Picture from Britain. Director Daisy Jacobs mixes media and techniques in a way I haven¡¯t seen before, with two-dimensional characters painted onto flat surfaces interacting with real miniature sets and props. The story itself centers on a very adult dilemma, as two brothers bicker over the care of their elderly, dying mother. The decision to have the faces and torsos of the siblings immobilized on various walls was perhaps intended to underline how wearying such situations can be on a family. Surreal touches like a vacuum cleaner sucking up all the people and objects in a room help enliven this morose but creatively intriguing short.ÔÚÕâ´Î°Â˹¿¨½±µÄ½ÇÖðÖУ¬¡¶Ê¢Ñç¡·×îÇ¿µÄ¾ºÕù¶ÔÊÖÊÇÓ¢¹ú³öÆ·µÄ±ð³öÐIJÃÖ®×÷¡¶¸ü´óµÄͼƬ¡·¡£¸ÃƬµ¼ÑÝ÷ìÎ÷¡¤ÑŸ÷²¼Ë¹ÔÚӰƬÖÐ°ÑÆ½ÃæÉϵĶþάÈËÎïÐÎÏóÓëдʵµÄÃÔÄã²¼¾°ºÍµÀ¾ßÏ໥¹ØÁª£¬ÕâÖÖ½«²»Í¬Ã½½éÔÓôÛ£¬½«²»Í¬µÄ¶¯»¼¼·¨²¢ÓõĴ´×÷ÊÖ·¨ÎÒ´Óδ¼û¹ý¡£¹Êʱ¾ÉíÊÇÎ§ÈÆ×ÅÒ»¸öÆÄΪ³ÉÈË»¯µÄã£ÃýÖ÷ÌâÕ¹¿ªµÄ£¬Á½¸öÐÖµÜΪÁËËÓ¦¸ÃÈ¥ÕÕ¹ËËûÃÇÄêÂõ±ôËÀµÄĸÇ×¶øÕùÖ´²»ÐÝ¡£µ¼ÑݾöÒâÈÃÁ½ÐֵܵÄÃæ²¿ºÍËÄÖ«¶¼¹Ì¶¨ÔÚÈô¸É¸öÆ½ÃæÉÏ£¬ÕâÒ²ÐíÊÇΪÁËÍ»³öÕâÖÖ¼ÒÍ¥¾³¿ö»áÈüÒÍ¥³ÉÔ±ÈçºÎ¾ëµ¡²»¿°¡£³¬ÏÖʵµÄ·ÕΧÏñÎü³¾Æ÷Ò»Ñù¾ðÈ¡ÁËӰƬÖÐËùÓеÄÈ˺ÍÊÂÎÈÃÕⲿ¸ñµ÷ÒõÓôÈ´¶À³ö»úèÌ£¬ÒýÈËÈëʤµÄ×÷Æ·¸ü¼Ó¸»ÓÐÁ鯸¡£
Other nominated Animated Short Films:ÆäËûÌáÃûӰƬΪÈçϼ¸¸ö£º
¡°A Single Life¡± (Netherlands, 2 min., directed by Marieke Blaauw, Joris Oprins and Job Roggeveen): Upon discovering a mysterious old 45 rpm single record, Pia plays it and finds herself able to travel back and forth through her life, depending on where she drops the needle. This hilariously black comedy says it all ¡ª in two minutes!¡¶¶ÀÉíÉú»î¡·£¨ÖÆÆ¬¹ú¼Ò/µØÇø: ÄáµÂÀ¼£»Ê±³¤£º2·ÖÖÓ£»µ¼ÑÝ£ºMarieke Blaauw, Joris Oprins , Job Roggeveen)Ƥ櫷¢ÏÖÁËÒ»¾íÉñÃØµÄÀÏʽ³ªÆ¬£¬µ¥Ã桢ÿ·ÖÖÓתÊý45ת£¬Æ¤æ«²¥·ÅÁËÕâÕųªÆ¬£¬·¢ÏÖËý°Ñ³ªÕë°Ú·ÅÔÚʲôµØ·½£¬¾Í»á´©Ô½µ½Ä³¸öʱ¼ä¶Î£¬ÓÉ´Ë¿ÉÒÔÔÚËýµÄ¹ýÈ¥ºÍδÀ´Ö®¼ä²»Í£´©Ëó¡£Õâ¸ö¸ãЦµÄºÚÉ«ÓÄĬ¹Êʽ«ËùÓоçÇéÕÅÁ¦ÄÒÀ¨ÆäÖСª¡ªÊ±³¤½öΪÁ½·ÖÖÓʱ¼ä£¡
¡°The Dam Keeper¡± (USA, 18 min., Robert Kondo and Dice Tsutsumi): Pity the poor piggy ¡ª charged with keeping up the old windmill that keeps up the old dam that protects the old town from disaster. And enduring the scorn and torment of his fellow animals at school, until a foxy new classmate shows up.¡¶ÊذÓÔ±¡·£¨ÖÆÆ¬¹ú¼Ò/µØÇø: ÃÀ¹ú£»Ê±³¤£º18·ÖÖÓ£»µ¼ÑÝ£ºRobert Kondo£¬Dice Tsutsumi)¿ÉÁ¯µÄСÖíPityµ£¸º×ű£»¤¹ÅÀÏ·ç³µµÄÔðÈΣ¬Õⲿ·ç³µÖ§³Ö׏ÅÀϵÄË®°Ó£¬¶øÕýÊÇÕâ×ùË®°ÓÈÃÕâ¸ö¹ÅÀϵÄСÕòÃâÊÜ×ÔÈ»ÔÖº¦¡£ÔÚѧУÀСÖíÊܵ½ÆäËûС¶¯ÎïͬѧµÄ³°·íºÍŰ´ý£¬Ö±µ½Ò»¸öÐÂͬѧ¡¢Ò»Ö»Ð¡ºüÀê³öÏÖÁË¡£
¡°Me and My Moulton¡± (Canada, 14 min., Torill Kove): A Scandinavian girl asks her parents if she and her sisters can have a bicycle while struggling with the fact that they are embarrassingly out of sync with ¡°Norway normal.¡±¡¶ÎÒºÍÎÒµÄζÙ×ÔÐгµ¡·£¨ÖÆÆ¬¹ú¼Ò/µØÇø: ¼ÓÄôó£»Ê±³¤£º14·ÖÖÓ£»µ¼ÑÝ£ºTorill Kove)£ºÒ»¸ö˹¿°µÄÄÉάÑÇѪͳµÄСŮº¢ÎÊËýµÄ¸¸Ä¸£¬ËýºÍ½ã½ãÃÇÄܲ»ÄÜÓÐÒ»Á¾×ÔÐгµ¡£Ò»¼ÒÈËΪ´ËΪÄÑ£¬ÒòΪÕâÓ롰ŲÍþµÄϰËס±·Ç³£²»·û¡£
In all, not a vintage year for the Academy¡¯s chosen animated shorts. Anyway, congratulations to Feast!×ÜÌåÀ´Ëµ£¬´Ó°Â˹¿¨ÌáÃûµÄÕâЩ¶¯»×÷Æ·À´¿´£¬½ñÄê²»ËãÊÇÒ»¸ö·áÊÕÖ®Äê¡£²»¹ÜÔõô˵£¬¹§Ï²¡¶Ê¢Ñç¡·£¡
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