»¶ÓÄú·ÃÎÊ52ijÓ¢ºº»¥ÒëÍø£¬½ñÌìС±àΪÄã·ÖÏíµÄÓ¢Óï֪ʶÊÇ£º¡¾¡¾¶ÁÊé±Ê¼Ç¡¿Íõ¶ûµÂ¡¶×ÔÉîÉî´¦¡·09¡¿£¬ÏÂÃæÊÇÏêϸµÄ·ÖÏí£¡
¡¾¶ÁÊé±Ê¼Ç¡¿Íõ¶ûµÂ¡¶×ÔÉîÉî´¦¡·09

1891Ä꣬´¦ÔÚд×÷ÉúÑÄáÛ·åÆÚµÄÍõ¶ûµÂÓö¼ûÁ˰¢¶û¸¥À׵¡¤¡°²¨Î÷¡±¡¤µÀ¸ñÀ˹(Alfred "Bosie" Douglas)£¬Á½È˺ܿì³ÉΪÁËͬÐÔÁµÈË¡£ËÄÄêºó£¬ÒòΪÕâ¶Î¡°²»¸Ò˵³öÃû×ֵİ®¡±£¬Íõ¶ûµÂ ±»ÅС°ÓÐÉ˷绯¡±×ï¶øÈëÓü¡£ÔÚÓüÖУ¬Íõ¶ûµÂ¿ªÊ¼·´Ë¼´ÓǰµÄÉú»î£¬Ë¼Ë÷Í´¿àºÍÈËÉúµÄÒâÒ壬ÒÕÊõºÍ°®µÄÕæÚÐ £¬×îÖÕ½«ÄÇЩʹ¿àµÄÀáË®¶¼»¯×÷ÓÅÃÀ¶øÉî³ÁµÄÎÄ×Ö£¬Ð´³ÉÁËÕâ·âÃûΪ"de profundis"(´ÓÉî´¦)µÄ³¤ÐÅ¡£
×÷Õß¼ò½é£º°Â˹¿¨¡¤Íõ¶ûµÂ(Oscar Wilde, 1854-1900)£¬Ó¢¹úά¶àÀûÑÇʱ´úÖøÃû×÷¼Ò£¬ ¡°Î¨ÃÀÖ÷ÒåÔ˶¯¡±µÄÁì¾üÈËÎ³«µ¼¡°ÎªÒÕÊõ¶øÒÕÊõ¡±(Art for art's sake)¡£ËûµÄ´ú±í×÷ÓÐ Ï·¾ç¡¶É¯ÀÖÃÀ¡·(Salome)¡¶ÈÏÕæµÄÖØÒªÐÔ¡·(The Importance of Being Earnest)£¬Í¯»°¡¶¿ìÀÖÍõ×Ó¡·(The Happy Prince) ¡¶Ò¹ÝºÓëõ¹å¡·(The Nightingale and the Rose)£¬Ð¡Ëµ¡¶µÀÁ¬¡¤¸ñÀ׵ĻÏñ¡·(The Picture of Dorian Gray)£¬ ÒÔ¼°ÊéÐÅ¡¶×ÔÉîÉî´¦¡·(De Profundis)µÈ¡£
¡¾ÔÖøÑ¡¶Î¡¿
The trivial in thought and action is charming. I had made it the keystone of a very brilliant philosophy expressed in plays and paradoxes. But the froth and folly of our life grew often very wearisome to me: it was only in the mire that we met: and fascinating, terribly fascinating though the one topic round which your talk invariably centred was, still at the end it became quite monotonous to me. I was often bored to death by it, and accepted it as I accepted your passion for going to music-halls, or your mania for absurd extravagances in eating and drinking, or any other of your to me less attractive characteristics, as a thing, that is to say, that one simply had to put up with, a part of the high price one paid for knowing you.
¡¾ËïÒËѧÒë±¾¡¿
ÔÚ˼ÏëºÍÐж¯·½Ã棬΢²»×ãµÀµÄÊÂÊÇÓÐÆä÷ÈÁ¦µÄ£¬ÕâÒ²ÊÇÎÒÔھ籾ºÍÂÛÎÄÖбíÊöµÄÄÇÖÖ׿ԽÕÜÀíµÄ»ùʯ¡£µ«ÎÒÃÇÉú»îÖеĿÕ̸ºÍ´Àʳ£³£ÁîÎҸе½·Ç³£Ñá·³£ºÎÒÃÇÖ»ÄÜÔÚ"Äà¿Ó"Àï²ÅÄÜ´ï³ÉÒ»Ö¡£¾¡¹ÜÄãÔÚ½»Ì¸ÖÐ̸ÂÛµÄÒ»¸öÖÐÐÄ»°ÌâºÜÎüÒýÈË£¬È·Êµ·Ç³£ÎüÒýÈË£¬µ«¶ÔÎÒÀ´Ëµ£¬¾Ã¶ø¾ÃÖ®£¬ÓëÄãÒ»Ö±²»±äµÄ½»Ì¸»°Ìâ¾Í±äµÃµ¥µ÷·¦Î¶ÁË£¬ÎÒ³£³£Îª´ËÑá·³ÖÁËÀ£¬¸Ð¾õ½ÓÊÜÄãµÄÕâÖÖ̸»°¾ÍÏñ±ØÐë½ÓÊÜÄãÈ¥ÒôÀÖÌüʱµÄÄÇÖÖ¼¤Çé»òÔÚ³ÔºÈÉÏÄÇÖÖ·è¿ñÀ˷ѵÄñ±ºÃ»òÄãÉíÉϵÄÈκζÔÎÒºÁÎÞÎüÒýÁ¦µÄÐÔ¸ñÒ»Ñù£¬ÎÒÖ»ÊǰÑÕâÖÖ̸»°µ±×öÒ»ÖÖ¶«Î÷£¬Ò²¾ÍÊÇ˵һÖÖÎÒ²»µÃ²»ÈÌÊܵĶ«Î÷£¬ÊÇΪÈÏʶÄã¶ø±ØÐ븶³öµÄ°º¹ó´ú¼ÛÖеÄÒ»²¿·Ö¡£¡¾Öì´¿ÉîÒë±¾¡¿
˼ÏëºÍÐÐΪÉϵÄËöмÌÖÈËϲ»¶¡£ÎÒÔøÓÃÕâÒ»µãÀ´×÷Ϊһ¸ö·Ç³£î£ÖǵÄÈËÉúÕÜѧµÄ»ùʯ£¬ Ôھ籾ºÍã£ÓïÖмÓÒÔ±í´ï¡£µ«ÊÇÎÒÃÇÉú»îÖеĴÀ»°ÉµÊÂÈ´³£³£±äµÃÁîÈË·³²»Ê¤·³£ºÎÒÃÇÖ»ÊÇÔÚÄàÄ×ÖÐÏàÓö¡£Äã̸»°Ê±×ÜÊÇÎ§ÈÆ×ŵÄÄǸö»°ÌâËäÈ»ÒýÈËÈëʤ£¬ÒýÈËÈëʤµÃ²»µÃÁË£¬µ«µ½Í·À´ÎÒ»¹ÊǾõµÃÄåζ¡£ÎÒ³£³£±»Ëü·³µÃÒªËÀ£¬ µ«È´½ÓÊÜÁËËü£¬ ¾ÍÏñ½ÓÊÜÁËÄãҪȥÔÓË£¾ç³¡µÄ¿ñÈÈ£¬ ½ÓÊÜÁËÄã»ÄÌÆµØ´ó³Ô´óºÈµÄñ±ºÃ£¬ÒÔ¼°±ðµÄÔÚÎÒ¿´À´²»ÄÇôÓÐȤµÄÆ¢Æø£»Ò²¾ÍÊÇ˵£¬ÎҸɴ൱ËüΪһ¸ö²»µÃ²»ÈÌÊܵĶ«Î÷£¬µ±ËüΪͬÄãÈÏʶËùÒª¸¶³öµÄ¸ß°º´ú¼ÛµÄÒ»²¿·Ö¡£
¡¾¶ÁÊé±Ê¼Ç¡¿
1¡¢trivial ËöËéµÄ£¬Î޹ؽôÒªµÄ£¬Î¢²»×ãµÀµÄ£»(ÈË)dz±¡µÄ£¬ÇḡµÄ
¡¾¾ÙÀý¡¿trivial matters ËöÊÂ
trivial formalities ·±ÎÄçȽÚ
Don't marry that trivial young man, please. ǧÍò±ð¼Þ¸øÄǸödz±¡ÇḡµÄÈË¡£
2¡¢Ä³Ð©ÐÎÈÝ´Ê£¬ÔÚÇ°Ãæ¼ÓÉ϶¨¹Ú´Êthe£¬¿ÉÒÔ±ä³ÉÖ¸´úÒ»ÀàÈË»òÊÂÎïµÄÃû´ÊÐÔ´Ê×飬±ÈÈçtrivial(ËöËéµÄ)/the trivial(ËöÊÂ)£¬poor(ƶÇîµÄ)/the poor(ÇîÈË)£¬dead(ËÀÍöµÄ)/the dead(ËÀÈË)£¬µÈµÈ¡£
3¡¢bore v.ʹÑá·³£¬Ê¹Ñá¾ë n.ÁîÈËÌÖÑáµÄÈË»òÊÂ
¡¾¾ÙÀý¡¿bore sb. to death ʹijÈËÑá·³µÃÒªËÀ
He has bored himself with bridge. ËûÍæÇÅÅÆÍæÄåÁË¡£
Stop being a bore. ±ðÔÙ·³ÈËÁË¡£
4¡¢extravagance Éݳޣ¬ÆÌÕÅÀË·Ñ£»¹ý¶È£¬ÎÞ½ÚÖÆ
¡¾¾ÙÀý¡¿extravagance with money »Ó»ôÎÞ¶È
love one's children with extravagance Äç°®º¢×Ó
5¡¢pay for Ϊ¡¡¸¶³ö´ú¼Û£¬Òò¡¡½ÓÊܳͷ£
¡¾¾ÙÀý¡¿He paid dearly for his mistake. ËûΪ×Ô¼ºËù·¸µÄ´íÎ󸶳öÁ˸߰ºµÄ´ú¼Û¡£
¡¶×ÔÉîÉî´¦¡·¶ÁÊé±Ê¼ÇϵÁÐ>>
µã»÷½øÈë52ijÓ¢ºº»¥ÒëÏÂÔØ¿âÏÂÔØ¡¶×ÔÉîÉî´¦¡·Ë«Óï°æ>>
- ÆÀÂÛÁÐ±í£¨ÍøÓÑÆÀÂÛ½ö¹©ÍøÓѱí´ï¸öÈË¿´·¨£¬²¢²»±íÃ÷±¾Õ¾Í¬ÒâÆä¹Ûµã»ò֤ʵÆäÃèÊö£©
-
