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×÷Õß¼ò½é£º°Â˹¿¨¡¤Íõ¶ûµÂ(Oscar Wilde, 1854-1900)£¬Ó¢¹úά¶àÀûÑÇʱ´úÖøÃû×÷¼Ò£¬¡°Î¨ÃÀÖ÷Òå Ô˶¯¡±µÄÁì¾üÈËÎ³«µ¼¡°ÎªÒÕÊõ¶øÒÕÊõ¡±(Art for art's sake)¡£ËûµÄ´ú±í×÷ÓÐÏ·¾ç¡¶É¯ÀÖÃÀ¡·(Salome)¡¶ÈÏÕæµÄ ÖØÒªÐÔ¡·(The Importance of Being Earnest)£¬Í¯»°¡¶¿ìÀÖÍõ×Ó¡·(The Happy Prince) ¡¶Ò¹ÝºÓëõ¹å¡·(The Nightingale and the Rose) £¬Ð¡Ëµ¡¶µÀÁ¬¡¤¸ñÀ׵ĻÏñ¡·(The Picture of Dorian Gray)£¬ÒÔ¼°ÊéÐÅ¡¶×ÔÉîÉî´¦¡·(De Profundis)µÈ¡£
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To each of us different fates have been meted out. Freedom, pleasure, amusements, a life of ease have been your lot, and you are not worthy of it. My lot has been one of public infamy, of long imprisonment, of misery, of Ruin, of disgrace, and I am not worthy of it either¡ªnot yet, at any rate. I remember I used to say that I thought I could bear a real tragedy if it came to me with purple pall and a mask of noble sorrow, but that the dreadful thing about modernity was that it put Tragedy into the raiment of Comedy, so that the great realities seemed commonplace or grotesque or lacking in style. It is quite true about modernity. It has probably always been true about actual life. It is said that all martyrdoms seemed mean to the looker-on. The nineteenth century is no exception to the general rule.
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1¡¢mete out ·ÖÅ䣬¸øÓ裨½±Àø¡¢³Í·£µÈ£©
¡¾¾ÙÀý¡¿mete out penalties for bad behaviour ³Í·£¶ñÁÓÐÐΪ
He often mete out generous treatment to those he defeated. ¶ÔÊÖϰܽ«Ëûͨ³£ºÜ¿íºê´óÁ¿¡£
2¡¢lot n.·Ý¶î£»ÃüÔË£»³éÇ©ËùµÃµÄ¾ö¶¨
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Her lot is not a happy one. ËýÃü²»ºÃ¡£
The lot fell on me to pay the bill. ³éÇ©µÄ½á¹ûÊÇÎÒÀ´¸¶ÕË¡£
3¡¢grotesque a.ÆæÐιÖ×´µÄ£»³óªµÄ£»»ÄÌÆµÄ£»»Äµ®µÄ
¡¾¾ÙÀý¡¿a wizened and grotesque little old man ¸É±ñ¶øÄÑ¿´µÄСÀÏÍ·¶ù
a grotesque reflection in the mirror ¾µÖеĻû±äÓ³Ïñ
The idea was simply grotesque. Õâ¸öÏë·¨¼òÖ±»ÄÌÆ¡£
4¡¢exception n.ÀýÍ⣻ÀýÍâµÄÈË/ÊÂÎï
¡¾¾ÙÀý¡¿Almost every general rule has its exceptions. ¼¸ºõÿÌõ³£¹æ¶¼ÓÐÀýÍâ¡£
exceptions to a rule of grammar Óï·¨¹æÔòµÄÀýÍâÇé¿ö
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