冰河世纪3观后感求 冰河世纪3的读后感 要求在 600字...

精选知识

　　《冰河时代3》的成功是流水生产线的必然结果——观后感

　　和第二集相比,《冰河时代3》虽然在观赏性上有所提高,但这个系列电影总体质量上还是呈下滑的趋势,希望制作方就此打住,还是另外进行新的创意吧,不过人家肯定不会听我的,圈钱运动还会如火如荼地进行的.抛开电影本身主题思想的优劣和剧情安排的合理与否,单从技术层面上讲,人家这钱赚得叫人心服口服.可以说以《冰河时代3》为代表的一大批好莱坞动画电影所创造的光怪陆离色彩纷呈的童话世界用“叹为观止”形容一点都不过分,但是我看《冰河时代3》最大的感触不仅在此,我更折服于好莱坞动画电影的制作理念,在强大的技术支持下这种理念几乎达到了化境.

　　由于动画电影普遍具有拟人化和奇幻色彩,在创作上几乎不受时间、空间、角色的限制,地球上甚至宇宙间的任何物种都可以进入动画电影中,并且开口说话,进行人类所能进行的一切活动.从这个角度上讲,动画电影的取材无比宽泛,相对于真人电影,人们对其剧情合理性的要求也宽松很多.但是这并不意味着编导们就可以胡说八道,人家不胡来,基本上还要给你把故事讲圆满了,叫你看了笑了轻松了,人家把钱拿走,完事.《冰河时代3》令人很直观地看到好莱坞动画编导们讲故事的几大法宝,说白了,就是一条制作流水线,按照这个套路生产基本上没跑,差也差不到哪里去.

　　法宝一：角色的成人性

　　《冰河时代》系列都以对坚果无比执着的松鼠作为影片的一个重要线索,这几乎成了这个系列电影的一个招牌,《冰河时代3》也不例外,只不过又安排进了一个雌性松鼠.首先,在这只母松鼠的造型上,我们看到的是一个成熟美女的形态,雄松鼠看雌松鼠那色迷迷的神情,以及两只松鼠的结合和矛盾的产生,无不是按照成人的思想和生活演进的.这样的创作手法,在好莱坞的动画电影中几乎随处可见.动画电影本来的主要观众是儿童,但是正因为在这些“儿童形象”中加入了成人的表现要素,在形式与内容的巨大反差下,产生了很强的娱乐趣味,因而影片也变得老少咸宜了.反观我们的动画电影,在很大程度上,都局限在儿童的世界里,不敢大胆地引进成人思维,使得我们的动画片看起来都很“弱智”,只适合儿童观看,大人们要是成天盯着《海尔兄弟》看,恐怕要被人当“弱智”了.当然这种情况近年来有所改观,但是还是放不开手脚.

　　法宝二：题材的广泛性

　　好莱坞的那帮大仙们,凭着天马行空的想象力,几乎把世间万物都纳入了他们的创作之中,小到《霍顿与无名氏》中的微生物,大到《冰河时代》中的恐龙猛犸象,从《寻找尼姆》中的深海汪洋到《WALL-E》中的浩瀚宇宙,从《马达加斯加》中美国纽约中央公园到《狮子王》中广袤的非洲草原,从阿拉伯传说《阿拉丁》到中国故事《花木兰》等等,可以说只要你能想到的领域,几乎都被好莱坞动画涉及.这样一来,只要技术许可,好莱坞动画的题材就无穷无尽,而技术保障又恰恰是最不是问题的问题.正是这种题材创造上的广泛性,保证了好莱坞动画电影永远充满了神奇,永远都有你想不到的故事出现,而且这些题材的广泛性足以包容全球文化,这个咱就得佩服美国文化的软实力和其背后强大的技术支持了.而我们国内的动画电影总是逃不出传统的题材,一部《大闹天空》几十年来一直成为一个难以逾越的高峰,这不是荣耀,而恰恰是悲哀.有人会说我们的动漫技术不成熟,这个是事实,那么我们在3D领域没有优势,在平面动画方面技术上应该不成问题了吧?日本的好多优秀动画电影都是平面的,可见内容永远大于形式.《灰太狼与喜洋洋》似乎叫我们看到了一丝曙光,但愿这不是昙花一现.

　　法宝三：内容的娱乐性

　　当然好莱坞动画最大的卖点就是它娱乐性.就拿《冰河时代3》中的树獭希德来讲,这是一个油嘴滑舌、见风使舵但有一颗善良的心灵的市井小混混形象,他几乎就是《冰河时代》系列的灵魂人物,也是这个系列的最大的娱乐点.他有着普通人类的一切弱点,但是又有着普通人类的基本人性,正是这种草根性,保证了影片整体上的亲民性,所以人们再怎么给电影挑刺,你看完了都得笑一笑,你一笑,钱没了,那电影就算成功了.有意思的几乎好莱坞所有的动画电影中都有一两个类似希德的角色,比如《史莱克》系列中的驴子、《花木兰》系列里的木须龙、《狮子王》系列中的大猩猩和后来出现的那个那两个活宝——丁满和彭彭,这些角色的出现极大的增强了影片的娱乐色彩,有的甚至反客为主,成为人们心目中印象极深的“主角”.这就要归功于好莱坞动画制作者善于制造和贩卖娱乐的能力了,这种能力几乎已经工业化,形成了生产流水线.角色的基本套路已经确定,只要创造一个角色按照这个套路走,基本就成功了.只要逗乐了大家,你还能说什么?你看得不就是一个乐呵吗?

　　法宝四：情节的拟人性

　　个人觉得这一点几乎是动画电影的灵魂,拟人化这个工作做好了,出来的东西就可能是精品.《冰河时代3》中出现了一个类似于堂吉诃德式的人物——鼬鼠巴克,这个角色身上体现的是人类身上更深层次的东西,那就是一种追求,一种具有自我牺牲精神的追求,虽然角色荒诞,但是我们又不能不承认这种精神确实在人类身上可以找到.好莱坞动画最值得称道地方在于,能把某些道理在嬉笑怒骂的娱乐之中讲出来,叫你笑过之后,还得回味,而不是机械地说教.叫我至今印象深刻的地方是在《狮子王》中,刀疤望着逃离的小辛巴的影子,阴沉地对土狼（如果我没记错的话）说：“杀了他!”——这一情景活脱脱地是一副动画版的黑社会老大的样子,叫人玩味无穷.在《霍顿与无名氏》中,最后的结局表明真理往往是掌握在少数人手上,片中的宏观世界和微观世界最终归于美好,但是现实中却往往难以达到这样一种皆大欢喜的结果,因此使得影片整体上的内涵更加深刻.《WALL-E》中更是把人类的末世情节和对爱的渴望淋漓尽致地运用到了机器人的身上,观看本片几乎成了一次心灵升华的过程.反观我国的动画电影,总是免不了说教,更可笑的是我们进行传统文化教育、品德情操教育、爱国主义教育也往往是临时的说教,而不懂得潜移默化寓教于乐才是王道.

　　除此之外就是在动画技术上的领先性,这个是有目共睹的,无需再说.

　　《冰河时代3》不能算一部经典的动画片,但它有着好莱坞动画电影的所有特点,动画效果逼真、老少咸宜、温情脉脉、娱乐十足.可以说好莱坞动画电影产业已经形成流水线作业规模,只要剧本搞定,技术保障是毫无问题的.近几年来好莱坞的动画电影,尽管质量上有高低,但几乎鲜有彻底失败的例子.因为从流水线上出来的东西,都具备上述几个为人们所认可的特点,只是在这几个特点的整合上有高低之分,但这足以保证未出场已经稳操胜券了,剩下的不过是赚钱多少的问题了.

　　因此《冰河时代3》拍得未必多成功,但赚钱赚得高明,这种高明之处需要中国动画电影人多多学习.

其他类似问题

问题1：冰河世纪1 的观后感我们要写作文啊不要小学级的[语文科目]

今天我有幸观看了冰河世纪（ice age）.

Ice Age,我觉得他蛮不错的.场景设计得很漂亮,角色刻画的很好.华丽而内敛.不用为他做太多解释,你得去看看.

我的内心曾一度又一度地产生矛盾.人类捕杀老虎,剥其毛取己暖.站在人类的角度,这没错的,人类富有七情六欲、善良可爱,不该死啊!但站在老虎的角度看看,我就突然觉得老虎更加没错,他们必须保护自己生存下去.而Manfred的族类也是因为人类猎捕而死亡.

而我最后觉得,这是人类滥捕的结果,怪不得动物.或许这就是自然界,适者生存,那是必然的.但要是有“不自然”的因素岔入,一切就会随之不自然.真正要怪的,是灵长的脑袋.

Manfred在炎流上救起Diego的那一幕,有一段话我很喜欢.Diego被救起后,对Manfred说：“Why did you do that?You could’ve died…trying to save me…”而Manfred利落的回答：“That’s what we do in a herd…We look out each other…”而Manfred这样做的结果,是后来Diego舍身救他,那至感动的一幕.无私无畏,我们需要它.

小男孩是幸福的.他有Manfred厚厚的毛发温暖,他有Sid真诚的照顾和玩耍,他有Diego英勇地保护着.他慢慢地成长,学会了走路,学会了Sid的狡诈.哈哈,这就是小孩,总爱有样学样.

但是他们终将离别,人类与动物殊不同道.或许这更让我们留下了期待,期待小男孩长大后会怎么样.而我更期待的,是ice age

问题2：冰河世纪 3 观后感 英文如题.急.7好就走了.[英语科目]

Ice Age 3 "and the inevitable result of success is the assembly line - Feedback

And compared to Episode II, "Ice Age 3" In the view of somewhat improved, but the overall quality of this series of films on the downward trend is still hope that producers stop there, or another bar for new ideas, but the people will certainly not listen to me, means for misappropriating campaign will be carried out in full swing. Cast aside the theme of the film itself, the merits and the plot arrangements, reasonable or not, just from the technical level, painfully convinced people that make money. It can be said of "Ice Age 3" is represented by a large number of Hollywood animated film created by the bizarre color scene of the fairy tale world of "amazing" to describe is not at too much, but I see "Ice Age 3" the greatest feeling, not only in Here, I am more impressed by the Hollywood animated film production concepts with strong technical support of this concept has almost reached Transformation.

As animated films generally have anthropomorphic and fantasy colors, almost from the creation time, space, role constraints, Earth and even the universe can be of any species into the animated film, and to speak, human beings can be carried out in all its activities. From this point of view, extremely broad drawn animated films, as opposed to live-action film, it is reasonable for its story demands much more relaxed. But this does not mean that they can be written and directed nonsense, others do not mess things up, basically you should be given to the successful stories in, and tell you to read the laugh easily, and people put money away, bin. "Ice Age 3" It is very intuitive to see that the Hollywood animated story books written and directed several major magic weapon, put it plainly, is a production line, according to the routine production, virtually no run, where the poor are poor not to go.

Magic one: the role of adult sexual

, "Ice Age" series are extremely persistent in pairs of squirrel nuts, as the film an important clue, which is almost become a sign of this series of films, "Ice Age 3" is no exception, but also arranged into a female squirrel. First of all, only on the mother squirrel shape, we see is a mature form of beauty, male squirrel to see female squirrel that Indecent expression, as well as the combination of two squirrels and contradictions of having no not according to adult the evolution of thought and life. This creative approach, in the Hollywood animated film almost everywhere. Animated films have been the main audience is children, but precisely because of these "image of the child," which incorporates elements of the adult's performance, in the form and content of great contrast given rise to a strong entertainment tastes, and thus film has become young and old salt Yi had. In contrast to our animated feature films, to a large extent, are confined to the children's world, not daring to introduce adult thinking, makes our animation looks very "mental handicap" and is only suitable for children, adults all day long if staring at "Haier Brothers" Look, I am afraid we have to be as "mental handicap" had. Of course, this situation has improved in recent years, but still can not relax hands and feet.

Magic 2: the broad themes

Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan.

Magic 3: Content of entertaining

Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation producers the ability to manufacture and trafficking in entertainment, and this ability is almost industrialization, forming a production line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do?

Magic four: the plot to be human

Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a similar to the Don Quixote-like figure - weasel Buck, this role is to embody a deeper level of what the human body, it is a pursuit, a kind of self-sacrifice the spirit of the pursuit, although the role of absurd, but we must admit that this spirit can be found in humans did. The most commendable parts of Hollywood animation is able to in the subject of ridicule in some token of entertainment among the speak out, tell you to laugh over later, have to aftertaste, rather than mechanically preaching. Impressed me so far are found in "The Lion King", the Scar Simba looking to escape the shadow of a small, murky against coyotes (if I remember correctly) said: "Kill him!" -- This scenario is an animated version of Huo Tuotuo to underworld boss looks like and tells the people pondering infinity. In "Horton and Anonymous", the final outcome shows that truth is often rests in the hands of the few in the film world and the micro-macro eventually attributed to a better world, but in reality are often difficult to achieve such a happy outcome, thus making video more profound meaning as a whole. "WALL-E" has even more in the end of the world of human desire for love plot and vividly applied to the robot's shoulders, watching film seems to have become a spiritual sublimation process. In contrast China's animated films, were always going to preach, even more ridiculous is that we have the traditional culture and education, moral sentiments of education, patriotic education is often temporary preaching, rather than know how to nurture learning fun, is kingly.

In addition is the leading technology of animation, this is for all to see, no talk.

"Ice Age 3" can not be considered an animated classic, but it has all the characteristics of the Hollywood animated films, animation realistic, young and old, sentimental, entertainment full. Can be said that the Hollywood animated film industry has formed the scale of pipeline operations, as long as the script without getting technical support is without question. In recent years, Hollywood's animated films, even though there are high or low quality, but almost a complete failure few examples. Because out of things on the line, all with a few of the above-mentioned characteristics of the people recognized only in the integration of these features have a level of points, but it is not sufficient to guarantee that appeared certain to win, and the rest is just profit how much money a problem.

Therefore, "Ice Age 3" They are not necessarily more successful, but the money earned clever, this genius of animated film, the Chinese people need to learn as much as.

问题3：冰河世纪4观后感要求：60字,中文和英文,[英语科目]

　　冰河世纪4演绎了一个动人的家庭故事.

松鼠斯科特喜欢吃橡子,不巧,橡子掉进了一个万丈深渊,斯科特也跟着掉了下去,没想到斯科特竟掉到了地核上!地核是圆形的,橡子开始滚动,斯科特想抓住橡子,它也在地核上开始滚动,随着地核磁场的变化,原来紧凑的地球板块分裂成五大洲、七大洋,洪水肆虐,猛犸象曼妮、树懒希德、剑齿虎迪亚哥和其他动物被洪水分开了,他们把一块冰川当成了救生船,在海上开始了惊心动魄的漂流.

家人之间的爱拥有巨大的力量,能战胜强大的敌人.此外,这部影片还告诉我们,一定要注重环保,否则,类似曼妮的悲剧还会再重演的.

" Ice age 4 " story,from rat barquette and the crazy chase,day in and day out,from sun up,down,until the moon rose,endless,and,in the process,affect the body,the earth because of Oquet's madness,

this group of fellow sufferers were a pirate give up,make their journey home,add more beat all the crazy ......

问题4：冰河世纪观后感

好不容易度过冰原时期的冻冻危机,也化解了冰河融化时的危机,《冰河世纪3》一开场,曼尼跟艾莉正在期待小长毛象的诞生；迭戈开始怀疑自己到底有没有资格成为一只剑齿虎,因为“练习”吃素的他莫名地变温柔了；希德则依...

问题5：冰河世纪1观后感[语文科目]

冰河世纪影评

四年前《冰河世纪》的故事围绕着三只冰河时期的史前动物,尖酸刻薄的猛犸象曼尼、粗野无礼的巨型树獭席德、以及诡计多端的剑虎迭哥和一个人类弃婴.他们勇敢地面对沸腾的熔岩坑、暗藏的冰穴、严寒的天气,以及一个秘密,甚至是邪恶的阴谋.后来,他们之间建立的友情,可以超越生死,感人至深.

经过了近四年的冰封,冰河时代将要进入尾声,正当动物们满心欢喜地迎接和暖的日子,猛犸象,树獭席德和剑齿虎迭哥发现冰山开始崩塌,冰川大面积地溶化,洪水将很快把他们居住的山谷淹没.于是三人成立拯救小分队,必须迅速通知其他动物撤离灾区,前往其它山谷居住.路上结识了从小被负鼠收养的母猛犸象爱丽和胡搅蛮缠的活宝负鼠兄弟,一路嘻嘻哈哈吵闹不停,又彼此扶持.一路经过黑暗困绕、断壁悬空、地表井喷、甚至食人鱼追捕,在恶劣天气和和麻烦爱情的双重困扰下,冰河英雄们是否能找到开辟新生活的家园呢?

而犬齿松鼠斯科特依然对坚果怀有惊人狂热和坚持不懈的占有欲望,这次为了榛子不惜上山下海挑战极限,还要和食肉鱼比划功夫,和鹰口中夺食,让人感受着一个毁灭的时代,因为生存的力量让你哭笑不得.

在《冰河世纪2》里,电脑CG模拟冰山崩裂、滔天巨浪、断壁悬崖、间歇井喷,前所未见的电脑动画灾难片,都是险象环生,令人目不暇接,呼吸急促.

在第一部的护婴行动中,曼尼因为人类的捕杀而失去了家庭,他面对着成为地球上最后一只猛犸的恐惧,似乎象人类倾诉着追捕动物所带来的种种恶果,而第二部消融的世纪里,曼尼遇见同类爱丽以及更多的伙伴,经历爱情和种种困难.让人不禁想起一部同样反映环保和气候变化密切相关的灾难片《后天》.近年来全球气候变暖近年来成为世界各国关注的焦点问题,希望人们在哈哈大笑时候,也可认真考虑一下如今冰川融化,全球变暖,不仅是动画片,这也就是我们人类拥有的现实世界真实场景.希望我们的觉悟还为时未晚,恐怖的大灾难不要降临在我们身上,所以重视环保,重视动物保护,也是这两部电影隐藏的内线.

经历过种种困难的“联合国式”（种类杂多）的灾难下成长的史前动物,一切平常时期尖酸、粗鲁、诡计等性格,在危难时候却互相扶持,赚人热泪,这个也是典型的美国英雄主义色彩,自认为在危难时候扮演拯救者的角色.但是不可否认,确实电影中这些可爱的动物,他们做到了种族大团结以及对和平美满的生活向往而奋斗.或许小布什应该多看看此片,全世界本来就是联合体,我们是不是应该为了人类共同的幸福贡献智慧呢……

在两部《冰川世纪》取得高票房的同时,我们希望能继续看见第三部甚至更多反映环保、动物保护、倡导和平为主题的好电影.