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Inception is a 2010 American science fiction film written,produced,and directed by Christopher Nolan.The film stars Leonardo DiCaprio,Ken Watanabe,Joseph Gordon-Levitt,Marion Cotillard,Ellen Page,Tom Hardy,Cillian Murphy,Tom Berenger,and Michael Caine.DiCaprio plays Dom Cobb,a thief who extracts information from the subconscious mind of his victims while they dream.Unable to visit his children,Cobb is offered a chance to regain his old life in exchange for one last job:performing inception,the planting of an idea into the mind of his client's competitor.Inception deals with ideas of skepticism and Solipsism.
Development began roughly nine years before Inception was released.In 2001,Nolan wrote an 80-page treatment about dream-stealers,presenting the idea to Warner Bros.The story was originally written as a heist film,inspired by concepts of lucid dreaming and dream incubation.Feeling he needed to have more experience with large-scale films,Nolan opted to work on Batman Begins,The Prestige and The Dark Knight.He spent six months polishing up the script for Inception before Warner Bros.purchased it in February 2009.Filming spanned six countries and four continents,beginning in Tokyo on June 19,2009 and finishing in Canada in late November of the same year.Composer Hans Zimmer scored the film,using parts of Edith Piaf's song "Non,je ne regrette rien".
Inception was officially budgeted at $160 million,a cost that was split between Warner Bros.and Legendary Pictures.Nolan's reputation and success with The Dark Knight helped secure the film $100 million in advertising expenditure.Inception premiered in London on July 8,2010 and was released in both conventional and IMAX theaters on July 14,2010.Released to critical acclaim,the film grossed over $21 million on its opening day,with an opening weekend gross of $62.7 million.
Leonardo DiCaprio as Dom Cobb,the Extractor,a professional thief who specializes in conning secrets from his victims by infiltrating their dreams.Cobb leads a team consisting of Arthur,Ariadne,Eames,Saito,and Yusuf,with the goal of influencing Fischer's actions via his dreams.
Ellen Page as Ariadne,the Architect,a graduate student who is recruited to construct the various dream-scapes,which are described as mazes.The name Ariadne alludes to a princess of Greek myth,daughter of King Minos,who aided the hero Theseus by giving him a sword and a ball of string to help him navigate the labyrinth which was the prison of the Minotaur.
Marion Cotillard as Mal Cobb,the Shade,Dom Cobb's projection of his deceased wife and a frequent,malevolent presence in his dreams.She is a manifestation of his guilt about the real Mal's suicide.Dom is unable to control these projections of her,challenging his abilities as an extractor.
Joseph Gordon-Levitt as Arthur,the Point Man,Cobb's partner and the man responsible for researching the team's targets.
Ken Watanabe as Mr.Saito,the Tourist,a businessman who employs Cobb for the team's mission,and insists on being a member.
Tom Hardy as Eames,the Forger,a sharp-tongued associate of Cobb's.Eames uses his ability to take the form of others in order to manipulate Fischer in Fischer's dreams.
Dileep Rao as Yusuf,the Chemist,who formulates the drugs needed to sustain the dream states.
Cillian Murphy as Robert Michael Fischer,the Mark,the heir to a business empire and the team's target.
Tom Berenger as Peter Browning,Fischer's godfather and fellow executive at the Fischers' company.
Michael Caine as Miles,Cobb's mentor and father-in-law,and Ariadne's college professor who recommends her to the team.
Pete Postlethwaite as Maurice Fischer,Robert's dying father.
Lukas Haas as Nash,an architect in Cobb's employment who is replaced by Ariadne.
Miranda Nolan plays a minor role as an air hostess.Miranda is a first cousin to the film's director Christopher Nolan.
其他类似问题
问题1:求盗梦空间英语影评80字左右.在线等,简短一些,不要太复杂。注意是英语影评。。。。。。[英语科目]
The comments on Inception
The director has revealed us with a fantasy land of dream. It not only fascinated us with the use of high-tech, but also had a deep exploration of inner heart of every body. It seems incredible but indeed reflects our thoughts in reality.
Meanwhile, the complex law of dreaming posed a challenge for our mind. During the entire movie we are struggling to follow the ideas of the director, which is also a quite interesting feeling for audiences.
望满意
==你是觉得我写的复杂了不····
问题2:求盗梦空间的英文简介以及一些关于盗梦空间的信息!英文的![英语科目]
Dom Cobb is a skilled thief,the absolute best in the dangerous art of extraction,stealing valuable secrets from deep within the subconscious during the dream state,when the mind is at its most vulnerable.Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage,but it has also made him an international fugitive and cost him everything he has ever loved.Now Cobb is being offered a chance at redemption.One last job could give him his life back but only if he can accomplish the impossible-inception.Instead of the perfect heist,Cobb and his team of specialists have to pull off the reverse:their task is not to steal an idea but to plant one.If they succeed,it could be the perfect crime.But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move.An enemy that only Cobb could have seen coming.
Director:Christopher Nolan
Writer (WGA):Christopher Nolan
Cast (Cast overview,first billed only)
Leonardo DiCaprio ...Cobb
Joseph Gordon-Levitt ...Arthur
Ellen Page ...Ariadne
Tom Hardy ...Eames
Ken Watanabe ...Saito
Dileep Rao ...Yusuf
Cillian Murphy ...Robert Fischer
Tom Berenger ...Peter Browning
Marion Cotillard ...Mal
Pete Postlethwaite ...Maurice Fischer
Michael Caine ...Miles
Lukas Haas ...Nash
Tai-Li Lee ...Tadashi
Claire Geare ...Phillipa (3 years)
Magnus Nolan ...James (20 months)
问题3:盗梦空间 英文影评一两百字的 最好是原创的 我英文很烂 但是要交这个 唉[英语科目]
Inception is a masterpiece,but in a very real sense that's too easy a description,and one which most film-goers will instantly be suspicious of.Better to describe it as elegant,bravura film-making; emotive but not manipulative,profoundly intelligent but not preachy or patronizing,subtle but not impenetrable,thoughtful but not melancholy,literally bursting with creative energy yet unashamed to pay homage to its recognizable influences,and framed by powerful performances upon which Christopher Nolan easily hangs his intricately shot and crafted tale,from strong cameos from the likes of Tom Berenger and Pete Postlethwaite to entertaining support from Joseph Gordon-Levitt and Tom Hardy to carefully constructed and well-honed central performances from Di Caprio,Ellen Page and the glorious,lovely-yet-terrifying Marion Cotillard,whom the camera seems to love and fear in equal measure.At its core its a simple heist thriller,but its allowed to expand into so many other areas - action,romance,philosophy,psychology,even architectural analysis - without ever getting out of control,and the impression one gets is that of a supremely confident director in total command of every aspect of his medium,thoroughly enjoying playing around with ideas,images and concepts he's been mulling over for years.Its a film which requires and rewards constant attention to its various layers,all of which run in parallel in a mind-churning,yet very simple and believable fashion,and which avoids descending into the trap of over-explanation so common in summer blockbusters.And its never distant or overly analytical,retaining a real human core at the very centre of its technical brilliance.From its initially inexplicable introduction to its triumphant conclusion,Inception runs riot with,and ultimately destroys,the notion that audiences need to be treated as idiots to enjoy movies,or that film-making by focus group or committee is a plausible substitute for singular vision or creative endeavour.
问题4:盗梦空间英语影评[英语科目]
The First Reviews of InceptionPosted on Monday, July 5, 2010 at 5:57 pm by George
Warner Bros. Pictures recently lifted the embargo on Inception reviews. We be updating this article as more reviews pour in.
The reviews so far are unanimously positive:
Film School Rejects (A+):
I will say this now, without reservation and fully confident that many will agree; Inception is easily the best big budget film of the year thus far. I’ll go further and say that it’s one of the most beautiful, well written, and fully realized high dollar films of the last five years. Inception, is close to perfection.
CHUD (10/10):
Inception is a masterpiece. Making a huge film with big ambitions, Christopher Nolan never missteps and manages to create a movie that, at times, feels like a miracle. And sometimes it doesn’t even feel like a movie; while presented in woefully retro 2D, Inception creates a complete sense of immersion in another world. The screen before you is just another layer of the dream.
Awards Daily:
Imagine a film being made in 2010 where you have absolutely no idea where it is going or how it will end. These were the worlds created by revolutionary filmmakers, like Stanley Kubrick, Woody Allen, David Cronenberg and David Lynch. With Inception we have a film and a filmmaker that has broken new ground and very nearly reinvented the form and he did it all without 3-D. Nolan gets there on the power of the story – and his vision was realized with the aid of the usual suspects – Wally Pfister’s cinematography, Hans Zimmer’s unbelievable score – the art direction, the visual effects – see it on IMAX and it will blow your mind. I am sure more than a few will discover that seeing the movie IN an altered state will also blow your mind, not that I’m advocating that.
Cinematical:
Further, its sublime combination of theoretical and humanistic elements puts it in the company of films like, yes, The Matrix, but more accurately dense, character-driven concept movies like Synecdoche, New York, itself arguably one of the best and most important (if also impenetrable) of the last decade. But it’s also the kind of movie that transcends any easy comparisons, and resists previous standards of achievement, innovation, or impact, which is why it’s difficult to pinpoint the last time I felt quite so passionately about every single part of a cinematic experience. And that may ultimately be the film’s greatest achievement: to consume and possess its audience with that passion, whether you’re as inspired and excited as I am, or disappointed, confused or frustrated as many will no doubt also be.
JoBlo (10/10):
At 148 minutes, INCEPTION is hardly a quick film but it moves with such speed and efficiency that you never “feel” the length. Even when it’s over, the movie stays with you, begging for conversation, discussion, debate and, eventually, another viewing. I’m sure it’ll even pop up in your dreams. Nothing wrong with that. We should all be dreaming a little bit bigger.
Empire (5/5):
Like The Matrix mated with Synecdoche, New York — or a Charlie Kaufman 007. To paraphrase Casino Royale’s Vesper Lynd, it’s a meaningful pursuit in a summer of disposable entertainments. With physics-defying, thunderous action, heart-wringing emotion and an astonishing performance from DiCaprio, Nolan delivers another true original: welcome to an undiscovered country.
Indie Wire (5/5):
As intricate as the script is—Nolan worked on it for a decade—the movie is not just a feat of cinematic wizardry, even though it comes close to the level of technological derring-do carried off by the likes of Stanley Kubrick. (Indeed Nolan works in repeated homages to the late great auteur beyond the obvious use of moving sets on gimbles to allow athletic Gordon-Levitt to bounce weightless and walk on walls and ceilings.) The movie also has heart. So that even if you do get confused (as I did in the James Bond snow section, filmed in the Canadian Rockies), the emotional through-line pulls you along. It’s as simple as The Wizard of Oz: The Extractor wants to go home.
Box Office Magazine (5/5):
In terms of sheer originality, ambition and achievement, Inception is the movie of the summer, the movie of the year and the movie of our dreams. Director Christopher Nolan’s heist film about a group of dream extractors who can invade a person’s subconscious to steal-or plant-vital information may remind you of James Bond, The Matrix, or even Nolan’s own Memento, when in fact it’s unlike any other. A bold, inventive, audacious entertainment, Inception charts a new course for motion pictures and sets the bar very, very high. Matrix-style business should be in order, even though audiences will have to pay strict attention to get the full experience (perish the thought). Simplistic moviegoers who like their blockbusters cooked in predictability may not get it but Nolan fans and those who like their action married to new ideas will flock to multiplexes for repeated viewings.
Variety:
If movies are shared dreams, then Christopher Nolan is surely one of Hollywood’s most inventive dreamers, given the evidence of his commandingly clever “Inception.” Applying a vivid sense of procedural detail to a fiendishly intricate yarn set in the labyrinth of the subconscious, the writer-director has devised a heist thriller for surrealists, a Jungian’s “Rififi,” that challenges viewers to sift through multiple layers of (un)reality. As such, it’s a conceptual tour de force unlikely to rank with Batman at the B.O., though post-”Dark Knight” anticipation and Leonardo DiCaprio should still position it as one of the summer’s hottest, classiest tickets.
In Contention (3.5/4):
Moreover, this could be the film to solidify the director’s place among the modern masters. “The Dark Knight” made its mark on pop culture, yes, but “Inception” doesn’t carry the (however unfair) stigma of being based on pulp fiction. It could leave a footprint far more important on the industry: the fulfilled promise, perhaps thanks to a thinly rewarding summer movie season, that expensive, thoughtful, original filmmaking can pay dividends.
The Hollywood Reporter:
Following up on such ingenious and intriguing films as “The Dark Knight” and “Memento,” Nolan has outdone himself. “Inception” puts him not only at the top of the heap of sci-fi all-stars, but it also should put this Warner Bros. release near or at the top of the summer movies. It’s very hard to see how a film that plays so winningly to so many demographics would not be a worldwide hit.
Hit Fix:
…”Inception” is an exhilarating cinematic experience that suggests there is still room, even in the blockbuster world, for big ideas and dangerous emotions, and that may be the single most thrilling thing about it..
Comingsoon.net has the harshest review so far. Silas Lesnick feels that the film spends too much time on the setup, and is not a fan of the way Nolan applied real-world logic to the world of dreams. That said, Lesnick still gives Inception 7/10:
Coming Soon (7/10):
What is most infuriating about “Inception” is how close it gets to being something really great. Instead, we’re left with “Solaris” (but never as existential or as meditative) meets “On Her Majesty’s Secret Service” (but never as fun or thrilling). Compared to most of this year’s releases, “Inception” should still impress and, at the very least, inspire some worthwhile discussion, but it’s hardly the heady blockbuster summertime savior that audiences have been waiting for.
问题5:求一篇盗梦空间英文观后感[英语科目]
Dom Cobb is a skilled thief,the absolute best in the dangerous art of extraction,stealing valuable secrets from deep within the subconscious during the dream state,when the mind is at its most vulnerable.Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage,but it has also made him an international fugitive and cost him everything he has ever loved.Now Cobb is being offered a chance at redemption.One last job could give him his life back but only if he can accomplish the impossible-inception.Instead of the perfect heist,Cobb and his team of specialists have to pull off the reverse:their task is not to steal an idea but to plant one.If they succeed,it could be the perfect crime.But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move.An enemy that only Cobb could have seen coming.
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