山楂树之恋英文观后感(中英文对照)

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[山楂树之恋英文观后感（中英文对照）]简介：纪实性长篇小说,作者艾米,该小说被称为史上最干净的爱情,故事发生在1975年前后,山楂树之恋英文观后感（中英文对照）.小说主人翁静秋（生活原型：熊音）是个漂亮的城里姑娘,因家庭成份不好,静秋很自卑.英俊又有才气的老三是军区司令员的儿子,却是极重情谊的人,甘愿为静秋做任何事,给了静秋前所未有的鼓励.他等着静秋毕业,等着静秋工作,等着静秋转正.等到静秋所有的心愿都成了真,老三却得白血病去世了.　　看了张艺谋导演的《山楂树之恋》后,心情久久不能平静,它使我们有又回到了那七十年代生活的环境的感觉,我们那个年代的少男少女爱得是那么简单纯真,爱得那么忘我而不顾一切,也有爱得很压抑和郁闷.由于那个年代的色彩除了蓝就是青,我们的统一校服是白衣,蓝裤.社会和 学校对性知识没有教育和宣传,我们都不知道男女之间在一起会发生什么?有些身边好友甚至二十几岁准备结婚了,还问是不是男女在一起拥抱接吻就会有孩子?山楂树之恋里也有这段描写,现在想起来都觉的幼稚和好笑.老三是一个帅气,有教养气质,痴情又专一的大情圣,他对静秋说他唯一爱的人是静秋,而且是永远,他真的实现了他的誓言,长眠在山楂树下了.这故事迷住无数的少女之心啊!　　其实张导本人就很有故事,他为何不正视一下他自己的心,拍一段上下集的自传似的故事,前半部是像“山楂树之恋”样的情节,不过老三”大难临时“没死复活了.后半集是王小刚编导的,由张国立主演的”一声叹息“的故事.真真切切是他的原型啊.张导这辈子不是情圣,但是情种,故事精彩,有高潮有低潮.有掌声也有喝倒彩的,有爱有恨,故事曲折离奇,悬念连连,直今感情生话备受关注.总之张导的这辈子没白活.　　Description:documentary novel,the author Amy,the novel is known as the cleanest in the history of love,the story took place in 1975 before and after.Novel host Wengjing Qiu (living prototype:Bear sound) is a beautiful girl in town,because of family composition is not good,quiet autumn very inferior.The youngest is a handsome and brilliant military commander\'s son,but it is very important friendship of the people,willing to do anything for the quiet autumn,to the quiet autumn unprecedented encouragement.He waited Jingqiu graduate,waiting for the quiet autumn work,waiting for the quiet autumn positive.All quiet until the autumn wishes have become true,it was the third son died of leukemia...　　Seen Zhang Yimou\'s \"Love haw\",the mood can not be quiet long time,it gives us back that seventies feeling of living environment,our boys and girls of that age is so simple and pure love,love So desperate ecstasy,but also love very depressed and depressed...That\'s because in addition to the blue color is blue,the unity of our school uniform is white,and blue pants.Community and school education and promotion of knowledge is not,we do not know what will happen between men and women together?Twenties and even some close friends getting married,and also asked not to embrace kissing men and women will have children together?Hawthorn Tree in there this description,now think of it all feel childish and funny.Youngest is a handsome,educated temperament,love and the great Lover specific,he said his only love the quiet autumn who is quiet autumn,but always,he did achieve his oath,buried in Hawthorn a tree...This story captivated the heart of many of the girls ah!　　In fact,Zhang guided himself very story about why he does not face his own heart,making the autobiography set down like a story,the first part is like \"Love haw\" kind of plot,but the son,\"temporary disaster \"No dead to life.Xiao-Gang Wang directed the latter half of the set is by Zhang Guoli starring \"Sigh\" story.Broke his prototype ah.Zhang guide in this life is not a Lover,but love species,wonderful story,the climax has a low ebb.There are also cheers of applause,there is love there is hate,twists of fate,suspense again and again,until the feelings of health,then this concern.Director Zhang\'s short not lived this life.

其他类似问题

问题1：爱丽丝梦游仙境英语影评(中英对照）注意：1.是影评2.中英对照我是需要找这个影评..[英语科目]

I think the acting and affects are brilliant in the ALICE IN WODERLAND.It is a kids movie and I will recomend this movie for anyone.I like how anybody is legal to see it and it can be considered as a family movie.Alice is a brilliant role model for young tweens and teens.In the film she learns to have confidence in herself and her own decisions,despite family pressures and being unsure in a safe land.She has a strong sense of right and wrong,and holds herself accountable for making things right that she herself feels she had a role in when the situations "went wrong".Brilliant film,a little dark,but when compared to what's on tv and in video games these days,the strong role model messages ride triumphantly into the sunset!

我认为行动和影响是精采的.这是一个孩子的电影,我会推荐这对任何人的电影.我喜欢任何人 看是合法的.它可作为一个家庭 电影.Alice认为是一个十几岁的年轻充斥着和光辉的榜样.在这部影片中,她学会了在自己和她自己的决定有信心,尽管家庭的压力和被安全地不确定.她有一个正确和错误,并认为自己负责的事情作出强烈的权利,她自己觉得她有一个角色的情况时,“出了问题”.辉煌的胶片,有点黑暗,但是当比什么的在电视和视频游戏中的这些天,强作用骑胜利走向日落model messages!

问题2：英语翻译老三日记本的扉页上写着：“我不能等你一年零一个月了,我也不能等你到二十五岁了,但是我会等你一辈子.”每个男人都想娶静秋,每个女人都想嫁老三.《小说《山楂树之恋》,被称[英语科目]

When the end song of Under the Hawthorn Tree came on, the cinema resounded with sobs and applause.

On a scale of 1 to 10, what scores did audience members give to the film?

"I'm 54 years old. I give it 10 out of 10."

"I'm 35. I give at least 9 point to this film."

"7 or 8 points I think. I'm 28 years old."

Clearly, the film seems aimed to attract mostly female audiences, especially those over 30. Here's why...

"I've read the original novel of the film. This is a very touching and romantic story. The director also did a good job of interpreting it. I couldn't help crying when I was watching it."

"This film authentically reproduces how young people in the 1970s dealt with love and relationships. This is exactly what I said and did when I was young, repressing my emotions and not daring to fall in love."

Under the Hawthorn Tree is adapted from the love story of the same name which has been a hit on the internet since 2007. The film follows Jingqiu, a girl whose family has been under close scrutiny since her father was labeled a rightist, and Laosan, a boy with a promising future from a well-to-do family. As a director born in the 1950s, Zhang Yimou lived through the Cultural Revolution and when he read the novel, he found no problem in identifying with the writer.

"This is a film about pure and beautiful love. It is a story of incompleteness that can impress the audience, and let them savour the story after watching it."

Speaking of the male audience members, especially those who didn't read the original, they don't like the film as much as the female audience.

"I think the story is a little bit too simple. The relationship ends too quickly. Hardly anything happens between the couple."

"This is not a typical Zhang Yimou film. I couldn't feel his personal emotions in it, which is a big disappointment. In addition, this kind of romantic film is never my type."

Listening to their reasons, a middle-aged audience member by their side showed understanding.

"Young people now live in an open society; they don't know why during 1970s, the characters suppressed their emotions and dared not be together. I think the film may only strike a chord with those who lived through that period of time."

Facing the pros and cons from moviegoers, Zhang Yimou's attitude was relaxed. He didn't have any expectations about what the film would make in ticket sales. As he said, different people have a different understanding of pure love, and what he can do is to give his own interpretation by the film.

问题3：《山楂树之恋》用英语怎么说[英语科目]

Love at hawthorn tree

问题4：的英文怎么说[英语科目]

A Romance under the Hawthorn Tree

问题5：山楂树之恋影评2000字

　　我旗帜鲜明地无条件地喜欢这部电影.

　　《山楂树之恋》表达的情感是一定是很多人想有但不曾有的,我也承认片中所谓的纯情稍微有些矫枉过正,而且无论是放在现在这个色欲横行的世界,还是置于彼时那个思想相对单纯的年代,这样的纯情都显得有些过分不食人间烟火,但是它符合爱情最根本最原始的特质,而且张艺谋通过对这一爱情有意的纯洁化,达到了动情但不煽情的效果,因此我愿意相信那种纯美.

　　对于改编自知名原著的影视作品,人们总是不可避免的拿原著来比较,这种反应是本能的,但看法有时是偏颇的.个人认为,应该把改编畅销通俗小说和改编经典文学名著区别开来,像《三国演义》、《红楼梦》等经过长期历史积淀,其艺术魅力和思想内涵已经被人们普遍认定的,并且在一定程度上已经成为民族文化中不可分割部分的经典著作,在改编时一定要慎重,必须考虑其文化影响力.无意于贬低艾米,但原著《山楂树之恋》只是一部畅销小说,还谈不上经典,其本身的艺术成就还没有经过长时间的检验,在影响力上也局限于少数知识群体之中,在信息爆炸的当今时代,这样一部小说又能算得上什么呢?很多人看电影《山楂树之恋》根本不知道原著,完全是冲着“张艺谋”这三个字去的,冲着那个特定时代去的,也是冲着被宣传出来的所谓“纯爱”去的,与原著并无什么瓜葛.再跟原著比,不是吃饱了撑的没事干吗?因此,电影《山楂树之恋》本身就可以看作是对原著的小说的一种再加工,在艺术表现形式多样化和细分化的今天,这种改编再创造和当初《三国演义》等小说在总结民间故事和历史事实基础上成形的过程是不能相提并论的.到最后,小说版《山楂树之恋》和电影版的《山楂树之恋》,人们究竟更认可哪一种形式尚无定论,因此电影《山楂树之恋》就是张艺谋的《山楂树之恋》,与原著已经没多大关系了.于是,放弃了色彩上的极鲜极艳,没有了风格上的极俗极土,张艺谋这次又把爱情推向了极纯极美,喜欢走极端的张艺谋没变,正如他自己所说“他喜欢强烈的东西”,变化的是某些人的心态.

　　影片对时代背景的复原相当考究,贫穷凋敝的农村生活,纯朴甚至有些傻里傻气的人物,随处可见的革命标语和口号,以及那种盲目的战天斗地的豪情,都有一种很强的时代代入感.尤其是静秋排练的那段戏,对领袖的热情而机械的崇拜之情跃然眼前,以现代人的目光去看十分愚蠢可笑的歌舞正是当时的时尚之举,相信这样的场面有一种恍如隔世的感觉,一定能把特定观众群体立即拉回到那个百感交集的年代.从这个细节上看,张艺谋的目标观众并非仅仅是网络时代的年轻一代,而更愿意和电影一同怀旧的必定是60后70后甚至更早的人,只有这个时代的人才能真正体会到那个头脑发热年代的人们的普遍情怀.而更加年轻的一代或许更愿意对照原著来讨论影片中的爱情究竟是否“纯情”,因此,看《山楂树之恋》是属于特定群体的怀旧之旅.对于我而言,《山楂树之恋》给我的触动远远超过了本应更具有现实批判精神的《唐山大地震》.

　　《唐山大地震》在商业上的成功,完全是因为三十二年间两场自然灾难对中国人的心灵伤害和放之四海而皆准的母子亲情催发的,对于两场地震背后的人祸,根本不能也无力去批判.比之于《唐山大地震》,张艺谋的《山楂树之恋》显然没有那么多的现实政治因素的羁绊,从那个年代过来的人,看到的一定是个体爱情在混乱年代和残酷生活面前的无言与无奈.片中人物多次提到“万一政策变了”这句话.今天的人们可能根本无法深刻体会这句台词背后隐藏着的那个时代国人的辛酸和悲苦,一次又一次的政治运动把人们搞得晕头转向,被激情填满胸膛的集体又充满着集体的迷惘,政治的动荡导致了民众对政策延续性和稳定性的怀疑,而与之息息相关的是个体的不能自决的命运,天堂或地狱都取决于这个“政策”发生的变化.影片没有过多也无法揭示时代背景中的种种阴暗面,但是从电影中的某些惊鸿一瞥式的具有时代特征的事件中,依然能感受到深烙于中国民众心头的时代之殇.

　　应该承认就整个故事而言,存在着局部过分美化的成分,但两位新演员尤其是周冬雨的单纯而干净的表演严重地弥补了这一不足,并没让人感觉到做作,让人愿意相信那份纯美.银幕上的这个周冬雨绝对要比银幕下纯净得多也美得多,张艺谋选角时说他相信自己的眼光,肯定周冬雨在镜头面前一定光彩照人,事实表明张艺谋没说假话,他的确有这个能耐.但是在老三在逼静秋去医院看脚伤时自残这段戏上出了问题,不是说这个过程不真实,而是演员没有做出与之相适应的反应,表演十分刻意.但是就整体表现而言,周冬雨堪称完美.另外,应该说张艺谋对于画面的控制能力还是很有特色也很见功力的,这是他的长处.但是难以理解的是,以张艺谋的经验不会不知道频繁的字幕切入,不但会影响影片的节奏,同时也会暴露叙事能力的不足,这个错误实在有些自废武功的意思.幸亏这电影故事本身就是一个非常舒缓的过程,这种处置不当也并没有对影片观赏性形成致命伤害.

　　老三和静秋的爱情虽然被张艺谋故意纯洁化,但这种纯洁化仅仅是在意境上的纯洁化,两人不敢拉手不敢约会等等情境都是真实的,都可以从上一代人的切身经历中得到验证,两人之间的那种若即若离欲说还休的情感正是那个时代的基本特征,具有真实性,用现代人被A片熏陶出来的眼光来衡量其“纯度”没有丝毫意义,只是一种自说自话的文字卖弄.当年,有无数情意相合的人因为成分和出身的问题因为政策的问题,而落得劳燕分飞天各一方,所以在影院中的中年人暗自垂泪正是对过往的自伤.这种情怀岂是已经丧失了爱情基本原则而被“锤炼”得百毒不侵的当今新新人类所能体会得到的?从某种程度上讲,现代人都不配谈“纯情”二字,纯吗?所以都TM别装了.至于把对现实的不满硬要往电影扯那其实也很容易,但是总有些被邪火烧得找不着北的感觉.正因为现实中的爱情是如此物质和如此肉欲,所以那传说中的爱情才显得如此纯美如此珍贵,并且这种传说的爱情的的确确真的存在过,倘若脱离了影片所反映的时代特征而单纯地去计较张艺谋的个人艺术追求,那实在是强人所难和吹毛求疵,还敢装?如果这种爱情都不算纯,那什么才是纯?牛郎织女天河配吗?

　　现实中的爱情都被房子、车子、面子、票子和精子所困扰,很难不带丝毫物质目的单纯地去爱和被爱,我承认自己已经被那种情境所感染,所以我很入戏.我喜欢这电影的另外一个原因是,尽管我肉体上十分迷恋这个时代,但精神上却向往我没经历过的那个时代,那个在我看来贫穷而坚强愚蠢但可爱的时代.因此,我愿意相信那种纯那种美.